Émile Zola: at the World’s Fair in Paris

Émile Zola, the celebrated French leader of the Naturalist literary movement, learned photographic technique during a vacation to the coast of France. In 1888, he was given a camera by Victor Billaud, a newspaper editor in Royan. He did not pick up the camera for 6 years, while still working diligently to finish his life's work. After completing the Rougon-Macquart in 1894, a series of 20 novels for which he was nominated for the Nobel Prize, Zola put down the pen and turned his artistic focus to photography.  He had his own darkroom, processed his own film and developed enlargements while keeping careful records of his materials and methods. His records show he produced close to seven thousand plates; Less than 300 have survived.

The World's Fair: overview of the fair The Celestial Globe with the Maréoram and the Panorama Transatlantique, Paris, 1900

Vintage aristotype print

2 1/4 x 3 1/4 inches

The World's Fair: crowd outside of the Palace of Civil Engineering and Means of Transport, Paris, 1900

Vintage aristotype print

2 3/8 x 3 3/8 inches

The World's Fair: view of Paris with water tower, 1900

Vintage aristotype print

2 3/8 x 3 3/8 inches

The World's Fair: study of the Eiffel Tower with the Algerian pavilion in the foreground, Paris, 1900

Vintage aristotype print

3 1/4 x 2 1/4 inches

The World's Fair: entrance to the Palace of Fabrics and Clothing, Paris, 1900

Vintage aristotype print

2 3/8 x 3 1/4 inches

 
 

The World's Fair: view of the fair with the Pont d'Iena, Eiffel Tower, Celestial Globe, and the Parisian Ferris Wheel, Paris, 1900

Vintage aristotype print

2 3/8 x 3 3/8 inches

The World's Fair: the Pavillon Bleu (restaurant), Paris, 1900

Vintage aristotype print

3 3/8 x 2 3/8 inches

The World's Fair: entrance to the Rue de Paris, Paris, 1900

Vintage aristotype print

With title in French on verso

2 1/4 x 3 1/4 inches

The World's Fair: streetlamp outside of pavillion, Paris, 1900

Vintage aristotype print

2 3/8 x 3 3/8 inches

The World's Fair: general view of the Champ de Mars, Paris, 1900

Vintage aristotype print

2 3/8 x 3 1/4 inches

Although he is most well known for his novels, an open letter written in 1898 to the President of France is now part of his legacy. In 1894, Captain Alfred Dreyfus was wrongly accused of passing information to German enemy troops. Even though evidence emerged that Dreyfus was not involved, he was sentenced to life in prison. Zola was angry it had become common knowledge that Dreyfus was innocent and nothing was being done to change his status. And so, he wrote an open letter to the President of France entitled J’accuse…!, accusing top officials of fixing the trial due to antisemitic leanings and to argue for Dreyfus’ release. The letter was divisive. Many agreed with the government, but there was also a large faction who agreed with Zola. He was quickly charged with libel (defamation), and was brought to trial. Zola was convicted and rather than going to jail fled to England in 1898. He returned to France in the summer of 1899. These photographs were taken upon his return.

It wasn’t until 1906 that Dreyfus was acquitted for the crimes he did not commit, and many believe it was due to Zola’s letter. 

It is an early example of the influence of celebrity in shaping public opinion.

The RiseUP! Archive shares powerful imagery of the past to educate and encourage engagement in social issues affecting the world today.

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